FRAMEWORKS (an afterthought)

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While producing the ‘From Voids’ series, not only the voice from the void  but the perimeter of the void seemed to suggest possibilities for instrumentation.

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Consider a panel - round, square, rectangular, whatever.

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Within the perimeter of this panel there exists some form of frame, it could be three dimensional, it could be a two dimensional design or it might be a particular textural finish.

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Its presence is providing the artist with a naked enclosed space, pregnant with infinite possibilities; what eventuates?

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Does the unique nature of the frame influence the outcome?